Wednesday, October 14, 2020

Jane Seymour: The Haunted Queen

 Anne Boleyn dramatic life and death feature in many novels, plays, and movies, but Jane Seymour doesn't get much notice. She was quiet, demure, wrote few letters, and died young. While that means she didn't leave a lot of drama, her silence leaves room for speculation, particularly whether Jane was as much of a social climber as her brothers or whether she was their pawn.

Alison Weir leans towards the latter, although she gives Jane a strong enough character to allow her to rationalize her role in Anne Boleyn's downfall. we first meet her as a devout 10-year-old who wants to become a nun. Obedient, domestically inclined, and devoted to her family, she helps her mother run the household until at age 18, she enters a local convent. She finds that contemplative life is not her calling (and that the convent is not quite the place of purity and devotion she thought). After returning home, her parents find a place for her as a maid-of-honor to Queen Katherine through the help of Sir Francis Bryan

Jane arrives as Katherine's court begins its fall from favor. Henry (still handsome and able to charm but with flashes of the mercurial despot he became with age and illness) has begun his flirtation with Anne Boleyn. Secret Protestants, including Jane's ambitious older brother Edmund and her sponsor (and potential suitor) Sir Francis, see the King's "great matter" as a route to Reformation. Jane, however, loves her mistress and cleves to the True Church. She dislikes what little she sees of Anne and disapproves of how Henry banishes Katherine to smaller and more dilapidated royal houses and of his treatment of his daughter, Mary.

Eventually, Jane finds herself unemployed as Henry all but eliminates Katherine's court. Sir Francis, still believing in reform but no longer enamored of the increasingly ill-tempered Anne, finds Jane a position in the new Queen's retinue. Jane doesn't want to serve the Lady but follows the wishes of her ambitious parents. At court, her calmness and submission catch Henry's eye. although aging and beginning to suffer from the leg wound that plagued the last decade of his life, he retained enough charm for Jane to fall in love with him.

Jane remains placid as the increasingly panicked Anne vents her fury on her rival and leaves her service. Ensconced in Edward's apartment, she continues her courtship with Henry and her gossip helps lead to Anne's downfall. The hasty marriage history sees as a political ploy is a love match to Jane, and the year or so she spends with Henry is generally happy, despite his rages and her insecurity as a knight's daughter raised to royalty. She argues (with limited success) against the dissolution of the religious houses and more successfully brokers a reconciliation between Henry and Mary before giving birth to the male heir Henry so desperately wanted (and needed) and dying a week after. Jane fills her final days with fantasies of growing old surrounded by princes and princesses, and ye we know the teven if she lived, Henry's encroaching chronic illnesses would have made a large family unlikely. While I wonder how differently history would have been if Jane had survived to produce a second son, Weir presents her death as a personal tragedy, and lets Henry grieve for the woman he truly loved...at least at the time.

The Poison Squad

 I should have enjoyed The Poison Squad more than I did. It had fantastic reviews, Deborah Blum is an excellent writer, and as a chemist-turned-lawyer working on a degree in regulatory affairs, a book on the origins of the FDA is the most "me" book I can think of. And while it was interesting, it never fully captured my attention. Perhaps a bit less about his personal life (he married suffragist Anna Kelton who sounds like she deserves her own biography) and some more details about toxin tests. I suspect, though, that while I'd enjoy that book more, most people would like it less.

The Nine Taylors

Warning - spoiler

I don't know if the mode of death in The Nine Taylors is even possible, but other than that it's a perfect mystery. On a snowy New Year's Eve, Lord Peter drives his car into a ditch and ends up substituting for a flu-ridden bell ringer. A few days later, the gravedigger finds an unexpected and unknown body in the Thorpe family grave. Is the man connected to the 20-year-old jewel theft which led to the Thorpe family downfall? Unfortunately, the mystery is padded out a bit with arcane facts about bell ringing. Still, it's satisfying and an evening with Lord Peter is always enjoyable.

Monday, October 12, 2020

The Hanging Garden

 There's a new crime lord in Edinburgh, and due to a sex trafficked Bosnian girl who develops a rapport with John Rebus, the Inspector ends up in the middle of it. Tommy Telford believes that Rebus is Big Ger Cafferty's man and while the DI has contacts in the imprisoned gangster's organization, he's a cop first and foremost.


He's also prone to over-involvement in his cases. So when Candace seems to bond with him during her arrest, he takes on her case although he's been tasked with determining whether a retired professor is actually a Nazi war criminal. Rankin ties the turf war and the war crime together in a surprising way and still manages to work in a family crisis without making it feel grafted on. Like all the Rebus novels, it's dark and probably not the best choice for dreary days but it's thoroughly engrossing.

Maid in the King's court

I'm a bit late jumping on the YA bandwagon, mostly becasue recent YA novels tend towards fantasy or supernatural stories. Those don't interest me, but historical novels written by Lucy Worsley? You can't find a sub-sub-genre more targeted to my taste. Eliza Rose Camperdown, the only child of the Baron of Stone is a strong-willed, active child with little promise of becoming the cultured lady who able to find a proper (and properly wealthy) husband who can save the family estate. At age 12, she's sent to Trumpton Hall for finishing where she meets her distant cousin, Catherine Howard. Both girls find places at court as maids to Anne of Cleves, and as Catherine takes Anne's place, Eliza Rose finds herself serving her former friend. After Catherine's execution, she faces a dilemma - should she keep her place at court despite the danger, or should she make a new life with Ned, a page whose prospects are limited by his illegitimacy? Worsley's prose is light and enjoyable and she portrays Eliza Rose, Ned - and Catherine - as sympathetic characters trapped by a stifling and occasionally brutal system.