I shouldn't be so surprised that the first half or so of Ruth Rendell's novels feel so old. Vanity Dies Hard was written 56 years ago, putting it only a year or two closer to today than The Murder of Roger Ackroyd was when I read it in high school. But by the time I discovered her, Agatha Christie was dead and Rendell was only halfway through her career when I picked up her first Barbara Vine novel 30 years ago.
Rendell was a psychological novelist, with motivations more important at times than the actual mystery. But science and society evolve, making Vanity Dies Hard hard to review today. The plot is simple - wealthy but drab Alice Whittaker married a younger man at 37, and after her friend disappears, she believes she's being poisoned by someone. Well, it doesn't take a detective to discover why a 37-year-old newlywed might suddenly feel "unwell" so despite Rendell's talent for creepiness, I never though Alice was truly in danger. I was intrigued by the fate of her glamorous friend Nesta, though, but less so than I was by questions about the framework. Why was Andrew Fleming essentially forced to quit his job and join the family firm when he married Alice? Why was Alice's first assumption poison and not pregnancy? How desperately dull life was for affluent women for whom there was no expectation of even becoming educated just for the sake of knowledge. And how accurate is this portrayal of mid-1960s small town England?
No comments:
Post a Comment