Lady Mary

 I've enjoyed the first two YA historical novels I've read from Lucy Worsley, so Lady Mary was a bit of a letdown. Using a real and well known person rather than a witness to history, Worsley is constrained by the facts of Mary Tudor's adolescence. Watching her parents marriage dissolve and spending years in increasingly desperate isolation just isn't as dramatic as being companion to a volatile Princess Victoria or seeing your friend Catherine become Henry VIII's fifth wife. Like all of Worsley's books it's entertaining, but nothing special. 

My Name Is Victoria

 Princess Alexandrina Victoria spent her first 18 years trapped in the System. Her mother, the Duchess of Kent devised the plan along with Sir John Conroy. Keep the heir from the public, ostensibly for her safety; strictly control her few contacts; read her diary; and never allow her to be alone. Among the few strictly vetted people she was allowed to know was Victoria Conroy, and the future queen's diary does not snow any affection towards "Miss V." But...what if that was a ruse, that the two Victorias were actually close friends? Lucy Worsley creates an alternate history, in which the volatile royal Victoria sees her friend as an ally rather than a spy, and the advisor's daughter walks a fine line between protecting the princess and giving her father just enough information to keep her position. As with her other YA novel, Maid in the King's Court, Worsley introduces romance, this time with the Saxe-Colburg brothers. We know how that really  ended, but Worsley has a plot twist to keep it interesting (and possibly...no, that would be a spoiler).

Maid in the King's court

I'm a bit late jumping on the YA bandwagon, mostly becasue recent YA novels tend towards fantasy or supernatural stories. Those don't interest me, but historical novels written by Lucy Worsley? You can't find a sub-sub-genre more targeted to my taste. Eliza Rose Camperdown, the only child of the Baron of Stone is a strong-willed, active child with little promise of becoming the cultured lady who able to find a proper (and properly wealthy) husband who can save the family estate. At age 12, she's sent to Trumpton Hall for finishing where she meets her distant cousin, Catherine Howard. Both girls find places at court as maids to Anne of Cleves, and as Catherine takes Anne's place, Eliza Rose finds herself serving her former friend. After Catherine's execution, she faces a dilemma - should she keep her place at court despite the danger, or should she make a new life with Ned, a page whose prospects are limited by his illegitimacy? Worsley's prose is light and enjoyable and she portrays Eliza Rose, Ned - and Catherine - as sympathetic characters trapped by a stifling and occasionally brutal system.

And This Is Laura

I donated almost all my children's books to The Book Corner when I graduated from college. I just didn't have the room, and I wasn't going to read them again.  A few years later, I regretted donating a few, and fondly remembered several others, some of which I began to take out of the library.

And This Is Laura was one I had the nagging desire to re-read, and the realization that she has a lot in common with Ron Weasley finally pushed me to download a copy. Laura Hoffman is a normal 12-year-old - too normal, in fact, for her family.  Her mother Maggie was a Hollywood contract player in the 1950s and twenty years later writes westerns and gothic romances (two of each annually) for a Harlequin-like syndicate. Her father Basil is a scientific genius who has his own lab and an unlimited budget at Bell Labs or a similar place. Her older brother Doug is a pianist, composer, and champion debater while her older sister Jill is the captain of the bowling team and perpetual star of school plays. Even her little brother Dennis stands out, although his memorization and recitation of commercials strikes me as more annoying than commendable. Still, with a family like that, who's going to notice a 12-year-old popular, nearly straight-A student with excellent people skills and a creative streak?

Laura doesn't think she has a chance. As much as she loves her family, she feels like a hanger-on and perpetually overshadowed. Laura expects to be completely overshadowed by Jill's reputation when she joins the junior high drama club, but while she's not (yet?) as good as her sister, she's better than she thinks. More importantly, she meets her new and almost instant best friend Beth. Beth's a flautist and possibly as talented an actress as Jill, so when she visits the Hoffmans for the first time, she fits in, perhaps even better than Laura does.

During Beth's first dinner at the Hoffman's, Laura gets her first vision. Her father will solve the problem he's stuck on at work once the man with the white shirt stops by his lab. When Dr. Hoffman does hit on a solution after a visit from a white-shirted colleague, Laura doesn't think much of it, but Beth does (Laura sees her starring in the next school play). Beth also tells Jamie (a classmate who probably became an agent) and soon Laura is doing readings for most of the school. Most of them are the sort you'd expect from that age group - making the basketball team, being asked to a dance - but after seeing both her little brother's disappearance and the apparent death of her classmate Steve in short order, she's relieved when a classmate's policeman father tells her she has to close her business. It's just as well, because she's got a part in the play and is understudying Beth who's the second lead. With lines to learn and absolutely no confidence in her ability, she just doesn't have the time. And as long as Steve is alive and Beth isn't the star, Dennis will be safe.

But then Steve's family is in a car accident - Laura didn't see his funeral but his being carried on a stretcher - and his sister is too badly injured to keep her role in the play so Beth is now the star. While panicking over her unwarranted certainty that she'll ruin the play, she has another vision about Dennis's disappearance. Rather than worry her parents, she tells Jill and the two of them promise to keep an eye on him. And it works, through play practice and a successful performance in which Laura shows a flair for comedy, at least until one afternoon when Maggie Hoffman loses track of time while wrestling with a plot point.

Once Dennis is missing, Laura admits to the visions, and when her the officer sent to the Hoffman house turns out to be Laura's friend's father, she tries to visualize where her brother is. Once again, Laura is right - he's at the mall, dozing in front of a TV display, and for once, she feels special. When she tearfully admits this to her parents, they're confused.  A tween wouldn't realize this, but parents love their kids because they're them, not because they're talented or special. And maybe Laura's problem is that she's too good at too many things - a top student who is a good actress and has a knack with people, she's top-five at everything when everyone else is #1 at one or two things but middle of the pack in everything else. She is special, but tweens just don't have the perspective to see themselves as they are.

Since I have more perspective at fifty than I did at twelve, I also see more in And This Is Laura than I did when I first read it. I saw how Beth and Laura became almost instant friends and felt it more nostalgically now than when I was at an age where such things happened naturally. I also saw Laura's talents where she couldn't, and how her talented family put in more effort than she thought (both parents wrestle with work problems, and both Jill and Doug are almost always practicing). I also noticed the almost jealousy Laura felt towards Beth (her parents are lawyers and she only has one younger brother so the house is quiet and cleaned by a housekeeper) and Beth felt towards Laura (who comes from a big family with a comfortable, slightly chaotic house). Both come from loving families and love their families, but they both feel the other has the better deal. My memory was of an entertaining book about a psychic girl who gets a part in the school play, but And This Is Laura is considerably deeper.