Meredith Powell fell out with her best friend Jemima Hastings over Jemima's then-new boyfriend. Nearly two years later, Meredith decides on their shared birthday to swallow her pride and restart their friendship, but Jemima had left town a few months earlier, and the corpse found in a London cemetery the previous day turns out to be Jemima's. Acting Detective Superintendent Isabelle Ardery is the primary on the case, and after a rough initial meeting with her team, she asks Lynley, still on compassionate leave after his wife's death, to work with her. As they investigate from London, DS Barbara Havers and DS Winston Nkata search the New Forrest town where Jemima had lived, and find more questions than answers about Jemima's ex-boyfriend and his new girlfriend. Just as they're making progress, Ardery calls them back to London where she's slowly losing control of the case. Barbara does, eventually, discover the killer, through a combination of logic, insubordination, and luck, but it's not the tidiest solution. It feels a bit as if George realized that after 950 pages of plot, subplot, 'colorful' side characters, and false leads, she had to find a way to end the book. There's no 'cheating' on the solution, but it doesn't feel totally natural.
I had a few other minor issues with This Body of Death. The first involves timeline - I realize that few mystery series allow characters to age in real time, but with the nearly two year gap between the publication of each novel in the series and how two recent volumes occurred simultaneously, This Body of Death takes place only 14 months after Playing for the Ashes which I read in 1996 and the time compression is a bit jarring. As I said above, some of the characters (particularly Jemima's landlady and a local psychic) were a bit too 'colorful' for my taste and a good editor might have trimmed some of their eccentricities and tightened the character development scenes for Isabelle Ardery.
What I loved about the book was the return of Barbara Havers. Part of George's slump was due to the near (or total) disappearance of her most compelling character. Havers is bright, insecure, intuitive, stubborn, and the character who most clearly comes to life in every novel. In the Havers-light books, I missed her dry sarcasm and her determination to follow her (usually correct) hunches. Most of all, I missed her complicated relationships with Lynley, Deborah, and Simon, and her budding friendship with her neighbors. The highlight of the book for me was when Barbara, at Ardery's order, tries to improve her look and asks 9-year-old Hadiyyah for advice. The passage where the defiantly schlumpy Havers gets the Trinny and Susannah treatment from her young neighbor made the entire book worthwhile.